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Brehm Center Does the Big Apple with Two New Classes

Published on Tuesday, February 19, 2013 | 12:35 pm
 
Brehm is offering two classes in New York City

 

The Brehm Center for Worship, Theology, and the Arts is offering two new classes this summer that will bring students to the Big Apple.

The week-long experiential learning intensives are taught in New York City and include excursions to some of the most famous and iconic art scenes, and guest lectures from teachers, artists, and theater-hands working in the city that never sleeps.

“Not too many seminaries offer theology courses where you immerse yourself in the context you are studying,” said Nate Risdon, associate director of the Brehm Center. “Nor are too many seminaries teaching courses that look at the relationship between theology and the arts to the depth that we do.”

Professor Todd E. Johnson, theological director for the Brehm Center, will be heading up both classes. He says that besides providing a uniquely NYC flavor, the classes will give students intense community learning experiences.

Students enrolled in the courses will interact online before meeting in NYC, and once on the ground, engage in the classes, which will emphasize exchange of ideas, questions, and opinions, Johnson said.

The two classes are called “Theological Methods for the Arts” and “Christian Vocation.” The theological methods course is similar to the Worship, Theology, and the Arts Touchstone course currently offered at Fuller, but Johnson will use NYC’s museums, galleries, and other art resources to help serve as examples of the intersection of theology and art. Renowned artist Makoto Fujimura, founder of International Arts Movement and the Fujimura Institute, is slated to be one of the guest lecturers.

The vocation class was created because of a book co-written by Johnson and Dale Savidge of Christians in the Theatre Arts titled “Performing the Sacred: Theology and Theatre in Dialogue.”

“We received so much positive feedback from people about how helpful it was in naming the vocational questions raised working in theatre or any art that we thought this was an itch that obviously needed to be scratched,” Johnson said.

As a result, a directed reading course on the history and theology of vocation was held in NYC in the summer of 2010. The class included meetings set up with Christians involved in a spectrum of roles in theater. The course this year will be expanded to include conversations with people from other arts as well. And the Brehm Center is teaming up with groups like the International Arts Movement, Church and Art Network, and Center of Art and Work to make the class a larger experience.

Elspeth Noble, who graduated from Fuller last year with a Master of Arts in Theology, is an alumna of that first NYC class in 2010. She said this was the course for her to take while at Fuller.

“I have a background in theater, and the whole inspiration of coming to the Brehm Center was to explore theater and theology in dialogue,” Noble said. “This class gave me the opportunity to explore the concept of Christian vocation in an artistic and theatrical context. We had ‘formal’ class time in the Empire State Building, and we had great ‘informal’ class times meeting Christians throughout the theater world.”

Students also had their “fill of Broadway and off-Broadway productions which were ripe for conversation regarding the intersection of faith, the arts, and culture,” Noble added.

Current MAT student Christopher Manus hopes to enroll in both NYC classes. With a Master of Fine Arts degree under his belt and aspirations to start a community arts ministry, Manus said the courses combine his passion for using art to talk about God.

“A strong calling for me is to bring Christian and non-Christians together to collaborate on artistic projects such as theater and film,” he said. “Dialogue fosters relationships, and to me, relationships are the key to communicating and living out the gospel of Jesus Christ.”

Plus, the offering provides an opportunity to take a travel course that is less expensive than the immersion classes that go overseas.

Master of Divinity student Jennifer Thigpenn said that as a Southern California native she’d like to experience the music and art scene on the East Coast.

“People I’ve met that are from the East Coast think so differently than West Coast people, so having been in this L.A. culture my entire life, to go there and get a little bit of a taste of that would be amazing,” Thigpenn said. She serves as worship pastor at New Heart Foursquare church in Simi Valley.

She noted that it’s easy to become narrowly focused on the place she lives and works. She hopes the NYC trip will help to broaden her perspective.

But the class is not limited to MAT or MDiv students who are pursuing worship or arts concentrations. The class isn’t even limited to individuals pursuing a masters degree.

Students working toward the six course Theology and the Arts certificate program at Fuller are encouraged to make the classes part of their experience. And individuals, who are simply interested in exploring art and faith in New York, can sign up too.

“The richness of theological education informs every component of the Christian life, whether we are in vocational ministry or merely longing for a deeper theological understanding of our calling in business, the arts, education, politics, entertainment or family life,” said Christy Tennant Krispin, contributing author to Christianity Today’s “This is Our City” column. “This course is designed to stimulate our thinking and provoke our passions as they reflect the gifts and opportunities God has placed before us.”

Noble agrees.

“I would highly recommend this class to others,” she said. “The combination of academic study, relational time with artists, and the opportunity to watch and interpret a wide variety of performance art was entirely inspiring and still gives me food for thought two and a half years later.”

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